Emotional Quotient And Spiritual Intelligence In The Workplace Essay Example for Free

Passionate Quotient And Spiritual Intelligence In The Workplace Essay As the world advances and advances towards globalization, the worldwide economy is requesting for the presence of all around oversaw organizations and associations. Reacting to this interest, associations are attempting to discover progressively viable equation that will upgrade or improve their yields. Two of the most recent disclosures that pull in organizations and associations are the ideas of enthusiastic and otherworldly improvement of their HR. An ever increasing number of organizations are coordinating the said equation in their projects and activity designs as they perceive the need of these ideas that were for quite some time been dismissed. In this paper, we will examine the contentions of two picked articles which center around Emotional Intelligence (Must Have EQ by Anthony Landale) and Spiritual Intelligence (The Practical Application of Spiritual Intelligence in the Workplace by Mike George). Anthony Landale, in his article entitled â€Å"Must Have EQ†, contended that Emotional Intelligence or EQ (Emotional Quotient) the key for an association to address the difficulty of getting individuals cooperate all the more viably (Landale, Andrew Feb/March 2007, page 24). In accordance with this, the creator introduced his substitute four clear focuses. To begin with, he contended that EQ is imperative in keeping the association or colleagues flawless. Second, he contended that each colleague must have the option to figure out how to deal with our feelings by continually checking our own individual practices. Landale clarified that practices are intrinsic in people and that each individual has his own arrangement of good and awful practices. Comparative with this, an individual who has high passionate knowledge can oversee even the unfortunate practices by communicating them in the opportune spot, time and way. Third, Landale contended that EQ advancement requires compassion, which is placing oneself in the spot of others. This implies one is required to continually manage others at work, figure out how to modify varying and have the option to adjust with the circumstance. In conclusion, the creator focused on that correspondence is imperative in the improvement of enthusiastic knowledge and of keeping the association solid. To have the option to do this, each part should keep up a transparent correspondence. It was additionally focused on that a two-way correspondence line is required which implies that input to and from the board must be continued working. Enthusiastic knowledge is consequently estimated by the person’s expertise of dealing with their feelings and practices since EQ is really â€Å"Self-Management. † In organization with EQ, an organization should likewise prepare its HR to create Spiritual Intelligence (SQ). The creator fixated his contentions on the down to earth utilizations of SQ particularly in the working environment in light of the fact that SQ improvement centers around the three most profound inspirations of people: inventiveness, which means and reason (George, Mike 2006, page 3). The creator contended that since Spiritual Intelligence legitimately work with these three human inspirations, SQ advancement will make an organization a dynamic working environment. In the event that a person’s SQ is very much evolved, he will have the option to have an away from of his personality and a distinct reason. Otherworldly insight empowers an individual to live with trustworthiness by setting a genuine model. Since SQ gives the individual the force the adaptability to adjust to the earth, an individual with high SQ can be cool and centered even in an upsetting circumstance. By creating one’s mindfulness, an individual with high SQ additionally will have the ability to discover the reason for his feelings, its implications and have the option to oversee them. This thus will create one’s compassion. Profound knowledge centers around the advancement on a person’s capacity to battle the inner self with the end goal for him to adjust to changes. At last, advancement of otherworldly insight empowers an individual to perceive the non-material truth of his being that is people have non-material needs which when perceived reduces life’s frailty. In the event that subjective insight is tied in with intuition and enthusiastic knowledge is tied in with feeling, at that point profound knowledge is about being† (McMullen, Brian 2003). In accordance with the contentions of Landale and George, this announcement is corresponding with their perspective that EQ has something to do to pass the time the board while SQ manages mindfulness of the non-material truth of the being. In the advanced world, individuals are slanted to boosting their intellectual insight (IQ) as this may appear the estimating gadget for one’s achievement throughout everyday life. In any case, the genuine working world doesn't recognize the significance of IQ alone, rather the advancement of each of the four essential insights that characterize the fruitful person. â€Å"IQ seems, by all accounts, to be identified with least measures to enter a given a profession† (Wiggleswoth, Cindy ). In accordance with Landale’s guarantee that EQ is of overseeing feelings, an investigation of senior supervisors in retail chain demonstrated that proficient administration of feelings particularly with stress is significant for progress (Cherniss, Cary 2000). Anyway Cherniss focused on this is only one part of the unpredictable extent of passionate insight. He said that â€Å"emotional insight has as a lot to do with realizing when and how to communicate feeling as it do with controlling it. † This announcement verifies Landale’s thought that EQ is of recognizing and distinguishing the feelings and figuring out how to communicate them in a legitimate conduct (Landale, Andrew 2007, page 24). The significance of this part of EQ was demonstrated beneficial in current associations similarly as with the trial done in the US naval force wherein analysts found that â€Å"the best pioneers in the US Navy were hotter, all the more cordial, genuinely expressive, emotional, and sociable† (Barsade, S. t. al 1998). Another part of passionate insight is sympathy which is demonstrated by analysts that it adds to word related achievement (Cherniss, Cary 2000). This is the perspective that covers with the idea of otherworldly improvement which likewise recognizes the significance of sympathy in perceiving the reason for the feelings and have the option to use them in adjusting to changes. â€Å"EQ is simply the improvement of the limit control and the capacity to react with affectability and empathy† (Oxford Leadership Academy). This is likewise significant if an administrator or somebody in the association might want to decidedly impact the work practices of different individuals. A commonsense use of this as refered to in one article is that one’s viability can impact others relying upon one’s capacity to interface with them especially of understanding the sentiments of others (Goleman, Daniel 1999). To viably impact others we additionally should have the option to deal with our own feelings. Associated with EQ improvement is the otherworldly insight which fixates on building up the aptitudes of the individual in dealing with the internal identity or the non-material truth of one’s being as asserted by George. One creator characterized otherworldly insight as â€Å"the capacity to carry on with Compassion and Wisdom while keeping up internal and external harmony (composure) paying little mind to the circumstances† (Wigglesworth, Cindy). Since sympathy includes the capacity to comprehend the sentiments of others, as what compassion recommends, the ideas of EQ and SQ along these lines cooperate towards the total accomplishment of an individual and the association where he has a place. The functional purpose of this is the point at which somebody is genuinely and profoundly keen, he will have the option to make the most out of his abilities, feelings, practices and attributes in overseeing himself and thusly will enable him to emphatically interface with others. That hopefulness is achieved by the way that the individual, with sympathy and empathy, comprehends the feelings of others which enable him to remain quiet and concentrated regardless of what the circumstance brings. Comparative with George’s contention that profound insight in essential for an individual to carry on with an existence with honesty and in accordance with the reasonable reason, one creator has a similar point of view. As indicated by 1Wigglesworth, otherworldly knowledge improvement incorporates self and general mindfulness including the inner self and social dominance. In the administration world, profoundly insightful director is a â€Å"wise and successful change agent† who settles on sympathetic and savvy choices. Wigglesworth further said that SQ empowers chiefs to have the quieting and recuperating nearness amidst distressing work environment. Conversely with George who didn't recognize the significance of correspondence in the advancement of SQ, Landale focused on that EQ improvement requires an administrator to â€Å"prioritize the giving and getting of feedbacks† (Landale, Anthony 2007). Interfacing with different individuals from the association constructs and develops connections and that must be conceivable when open correspondence is dynamic in the association. Putting the fundamentals of passionate and otherworldly insight, we plainly draw out the possibility that the advancement of these essential insights center around connections which is particularly significant in building a viable, productive workplace. The HR of the association are its most significant resources so it is imperative that that preparation and advancement ought to incorporate the completeness of their being. Organizations of the advanced economy is as of now perceiving the reality the business isn't tied in with bringing in cash, rather it includes the structure of association individuals with numerous insight. An association with faculty, particularly pioneers, who have very much evolved psychological, passionate and otherworldly knowledge, is a cheerful and excited workplace. Building up the passionate and profound insight is the response to the impalpable needs of the association: solid working connections.

Comparing Death Of A Salesman and Hamlet :: comparison compare contrast essays

Passing Of A Salesman Vs. Hamlet             Willy Loman and Hamlet, two characters so indistinguishable, however unique. Both are ideal instances of catastrophe in writing, however for discrete reasons and by unmistakable methods.  The meaning of a catastrophe, in a nutshell, expresses that for a character to be viewed as deplorable, he/she should be of high good domain, tumble to a degree of fiasco, instigate compassion also, ghastliness in the crowd, and normally pass on, and in doing as such, restore request in the society.  Hamlet follows this to a T. Demise of a Salesman doesn't fall inside these set rules yet is as yet viewed as appalling for reasons, however extraordinary, to some degree equal those of Hamlet's.           Hamlet, a rich youthful cost of high good home abruptly has his euphoric life tore away from him when his dad, Hamlet Sr., abruptly passes away.  Though initially thought to be of characteristic causes, it is later uncovered to him through his dad's phantom, that dear old father was killed by his Step-Father, and furthermore his Uncle, Claudius. Vowing retribution upon his Uncle/Dad, Hamlet starts to intellectually vacillate and in the long run, is in such a wild wrath, that he unintentionally executes Polonious trusting him to be his dad. Entertainment results.           Ophelia, Hamlet's affection intrigue, ends it all/kicks the bucket (that is up for banter somewhere else) in the wake of going marginally distraught from the effect of her father's passing, at that point Laertes, Polonius' child, shows up on the scene irritated what's more, prepared to murder Hamlet for what he's done, and  exactly when you thought things couldn't deteriorate, unbeknownst to Hamlet, Claudius has been plotting to kill him.  Talk about your awful days.           A duel happens among Hamlet and Laertes where Laertes, utilizing a toxic substance tipped blade, cuts Hamlet, subsequently giving route for his looming death.  Hamlet in the long run gets hold of the blade and executes Laertes, at that point executes King Claudius.  Just as the play closes, Hamlet takes his final gasp of air, delegates Fortinbras Jr. as the new King of Denmark, and passes on.           In Death of a Salesman, Willy Loman, a sales rep who accepted himself to be an influential man, has his life unwind before him as he loses his activity, his mental stability and the regard of those around him.  Many years prior, Willy had an affair.  This dirtied his appearance to his child Biff, however his significant other never discovered out.  Biff later proceeded to turn into a stray of sorts, fiddling with one low-paying calling after another until at last settling on a ranch.           After Willy was terminated, for being excessively old, excessively awkward or both, as far as anyone knows, Willy imagines he's despite everything working and doesn't give his significant other access

Advices, advices

Advices, advices Trivia: In Mandarin blogs, being first to comment is to get the tou xiang a phrase that alludes to the traditional tou xiang, a Chinese practice that is meant to bring good luck which entails being the first to place a stick of incense in the incense pot at a temple festival. Now isnt that so much cooler and less lame than FIRST!!11!!!1!!1? ;) Anywhoo, Im an Associate Adviser this year to 5 froshies, Jeremy, Orit, Natalie, Kang, and Justin. We had some productive discussions from yesterday and today, and I thought I would post some of the good things that came up. Take them for what you will. On Homesickness Everyone is lonely in the beginning, whether you want to admit it or not. Some people are struck by it harder than others, while others hardly notice it at all, but either way its normal. Its merely your bodys natural defense mechanism of coping with being away from home. My only good advice for homesickness is merely this: dont stay in your dorm room. At least for me, I tend to get more and more depressed the longer I spend in my dorm room. Thus, I hardly spent any time in my room during the first couple of weeks of college. I found that the more I was up and about, forcing myself to meet new people, and trying new things the better I adjusted to a new life at college. And my advice for you is precisely that. To echo Pauls last? blog, turn off Facebook, close your computer, and go meet that new froshie down the hallway. If youre going for dinner, why not call someone you met at your FPOP, during Orientation, or when you were walking down Dorm Row? As tempting as it is to retreat to your comfort zone, dont spend all your time messaging your high school friends, calling your parents, or shutting yourself out from all the excitement thats going on outside of your door. You have a golden opportunity right now. What better time do you have of making new friends and getting to know new acquaintances when HUNDREDS of froshies are running around, trying to do precisely that? What better time do you have of joining new clubs, exploring new interests, and connecting to a new support network when even MORE upperclassmen are up and about on campus, trying to meet all of you and hear your stories? That said, you better be at Activities Midway tomorrow. ;) On Pass/No Record One junior said to me last year, If I had P/NR again, I would trade a lot of my As for a lot more steak and lobster dinners during Rush week. Pass/No Record is what you make of it. Im not here to talk to you about using your P/NR strategically, as some froshies Ive met have already done laying out their weaker GIRs all in the first semester (or, on the other hand, taking a complete killer courseload), while under the safety umbrella of P/NR (which are both not necessarily advisable) but rather about your perspective of looking at P/NR. I was speaking with a faculty member (who also served as a frosh adviser) earlier this year. He related to me an individual who got straight A+s his first semester at MIT, but added, but he did nothing but study. That is NOT what P/NR is for! P/NR is there to smooth out your transition to MITs rigorous courseload to allow you to explore what MIT has to offer while not compromising your coursework. Youre probably used to being a straight A student; youve probably turned your friends down on an offer to party because you had to study. Im here to advocate that you forget about that the first semester.* (see disclaimer!!) You probably wont have a better time to discover MIT, Boston, and the people around you than this very first semester at MIT. Yes from now till December. Dont turn down a midnight IHOP run just because you have to study for 18.02; dont turn down an invitation to go hacking just because you are scared you wont wake up for your 9 am lecture; dont turn down an opportunity to chat with that cute girl down the hall till 3 just because you need to get back to work. Trust me, you wont be as inclined to do those things when youre on ABCDF grades. BUT, like all things that come free in America, this isnt without a disclaimer, which you should read carefully, in addition to the above. * DISCLAIMER: Despite my bold statement at the top, academic focus is still important. Unless you are *really* sure of what youre doing, DO NOT skip multiple lectures or neglect to turn in psets. MIT courses are very different in the sense of high school courses that, in many cases, you cannot do well by not going to lecture or not turning in psets. Some lectures even take attendance (cough8.01cough). At any rate, youre still in college to study first semester frosh year or not and dont make the mistake of froshies that partied too hard first semester and ended up having to repeat half of their first semester GIRs again their second semester of frosh year. (trust me, this happens but its the unfortunate other extreme of P/NR) A good indicator is thus if youre in A/B range consistently for psets and exams, youre probably fine, but if youre in C/D range, you really need to spend some extra time in your dorm room, hitting the books. I guess what Im trying to say is that getting all As is not of paramount importance first semester. Strike your own balance between work and play, and hey when can you walk away with a C but get the same grade on the transcript as someone who had an A? (you know that EVEN on your internal transcript on WEBSIS, a P is a P=p) On Extracurriculars Pretty short here. But I would say that if you really want to do something join early. Most clubs have a mailing list which is used to send out notifications for meetings, practices.etc., so getting on the lists that you are interested in is a good first step. At any rate, joining an extracurricular when everyone else is new and trying to do the same is much easier than trying to do the same in the middle of the year, when a lot more things are established. On How do I plan my schedule so I can graduate MIT with 2 double majors and 2 double minors?! One phrase. Too early. Dont get me wrong, but theres really plenty of time to think about your majors and minors after youve experienced more of MIT. As Im sure many students who are more senior than me can attest, some upperclassmen are still switching their majors! MIT is cool in the sense that the courses here are so different from what youre used to, and you would probably find your interests shift in and out as you take more courses and talk to more people, so I would suggest dont take too much of your time just yet planning out the next 4 years of your life already. ;) On HASS 1. CI-Hs wont kill you. And yes, you have to take them to fulfill the Communication Requirement. No, you cant bribe MIT. 2. Taking a CI-HW class doesnt mean youre dumb. Really! 3. If you didnt do the HASS-D lottery, or if you didnt get what you wanted in the HASS-D lottery dont worry! Just show up with an Add/Drop form on the first session of your HASS-D class and ask the professor if you could still join the class. 4. You HAVE to take a CI-H HASS during your first semester if you are at all thinking of Early Sophomore Standing. On Rush Soon, Orientation would end and Rush would begin. To give you a brief picture of Rush all two dozen+ fraternities (if youre a girl six sororities in Recruitment) would be pretty much be all vying for your attention. Through the course of one week, there would be free food galore, free iPods given out, and free jaunts to the beach, rafting, paintball, go kartetc. etc. Upperclassmen whom you barely knew a few days ago would be calling you on your cell phone, taking you around in their car, and introducing you to other brothers at house parties. My biggest advice for you: dont be afraid to explore in the beginning. Since Rush is often an aggressive process, many fraternities would be trying to get your attention and fast. You might be overwhelmed at all the attention youre suddenly getting from Mu Mu Mu, for example, but I would encourage you to go around to different ones in at least the first two or three days and just check out some other options before settling down to a single one and going exclusively to their events (called rushing). After all, deep relationships form within fraternities, and you probably dont want your choice to be a hasty choice. You would probably feel better after youve compared a few and made sure that the fraternity that youre rushing (basically, trying to get a bid from them which is an invitation to join the fraternity) is the one you truly want. - Comments? Further questions? Post away!

The Dinosaurs and Prehistoric Animals of Colorado

Analysis Of The Article Reality Tv Goes Where Football...

Advertisement or Stereotype The media is the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that s power. The article â€Å"Reality TV Goes Where Football Meets the Hijab†, published in the New York Times in November 2011, introduces how the media controls the minds of the masses. Media has become a major issue in our daily lives. We live in a world that we cannot have access to what is going around us, unless we refer to the media. For instance, in our daily routine we usually listen to the news in the morning or at night before we sleep. The news has already been reported and its being delivered to us that fast, but how do we know if what is being said is what is actually happening or if it has been manipulated for political/social reasons? In the beginning of the article, Porochista Khakpour the author of the article, Iranian born American reared, mentions: â€Å"If anything made me, an American, it was televisions.† TV, especially the reality TV, resembles the characters and movie stars the way they want to not the way they are. Khakpour said, Darkness-dark hair, dark eyes, dark skin-always equaled trouble, as if it actually implied a dark side. When we watch TV, most of the movie characters are labeled, either by their gender, religion, or color. Khakpour reaches out to the outcasts, to prove her point on reality TV shows shaping our beliefs towards each other, especially the freaks†.

Alan Bennet’s “Talking Heads” †A monologue commentary Free Essays

After reading a selection of monologues from Alan Bennett’s â€Å"Talking Heads†, I was inspired to right one of my own. In my monologue the focus is on a young girl who lives alone with her father, who abuses her. The title, ‘A father’s love’, is ironic because if her father loved her, then why would he abuse her? This links to the monologues written by Alan Bennett as he also uses the technique of irony to engage the audience. We will write a custom essay sample on Alan Bennet’s â€Å"Talking Heads† – A monologue commentary or any similar topic only for you Order Now The opening stage directions show some aspects of the character’s lifestyle, â€Å"Emma sits on a battered leather armchair in a plain living room† From reading this, the audience will be able to identify the poor lifestyle that the girl experiences; this is also shown in a further set of stage directions â€Å"Emma is washing dishes in a basic, untidy looking kitchen.† In both instances there are hints of poverty, yet her father finds enough money to go to the pub at night. This helps to reveal her father’s character and his priorities. In the first section of the monologue there is no clue as to what the problem could be, but as the monologue progresses the clues become clearer and the audience may have more of an idea of what the girl is experiencing. For example, â€Å"I said I was sorry about the medication but it really wasn’t my fault, there wasn’t a need for the way he reacted.† There it becomes obvious to the audience that the girl’s father has a bad temper. This idea is developed in the next section of the monologue as the girl debates whether or not to go to school. It now becomes apparent that he has hit her. To create a more obvious clue I had to re draft my monologue in order for the audience to pick up on the problem, â€Å"How can I go to school with a face like this†¦ I could just tell everyone I fell down the stairs.† The clues are really subtle at first but do become more obvious as the monologue progresses. I tried to create tragedy in the monologue by portraying the young girl as feeling alone in the world; she lives alone with her bad tempered father who drinks a lot. The tragedy is that she doesn’t want to walk out on her father but she knows that it’s not safe for her to stay. I think that the audience could identify this in the monologue. In my monologue, it shows the father suprising the young girl with a shopping trip; this was only through guilt. It’s tragic that he has to show his love for his daughter by buying presents and not through affection. By the end of the monologue we can see that there has been no change in the attitude of the father, although he promises his daughter that things will change, they don’t. Emma says, â€Å"He promised me that he wasn’t going to do this anymore†¦ I just hope he isn’t drunk again.† This demonstrates her fear of her father. The last set of stage directions shows that the girl is frightened and that her father hasn’t changed. The young girl knows what is going to happen when her father comes home. â€Å"A door slams and a man is heard shouting from off stage†¦ He’s home! (Frightened)† I have tried to end my monologue on a tragic note, but leave the audience in suspense. It shows that the father has broke his promise and come in drunk again, but there is no indication as to whether he will beat his daughter. How to cite Alan Bennet’s â€Å"Talking Heads† – A monologue commentary, Papers

Once Upon Time By Nadine Gordimer Essay Example For Students

Once Upon Time By Nadine Gordimer Essay Once Upon a Social Issue Fairy tales have always been told to us as children;whether to comfort or entertain us, they always seem to be a part of mosteveryones childhood. When Nadine Gordimer was asked to write a childrensstory, she replied with a short story titled Once Upon A Time. Althoughthe title is characteristic of a fairy tale, she leads the tale to an endingthat is anything other than happily ever after. Gordimer distorts thefairy tale by dealing with certain issues rather than giving the reader theusual fairy tale characteristics. Three of the more significant issues Gordimerlikes to deal with in her story are racial discrimination and prejudice,societys insecurities, and the persuasive way fairy tales have with children. Gordimers Once Upon A Time has the feeling of insecurity right away. Inthe first part of her story, Gordimer reminds us of our own insecurities. Shebrings up a familiar situation in which one is awakened by a bump in the nightand cannot go back to sleep because of fear or their own insecurities. Gordimerwrites, I have no burglar bars, no gun under the pillow, but I have the samefears as people who do take these precautions So, to better convey thisissue of societys insecurities, she tells herself a bedtime story. In thestory, there is a family who is living happily ever after, yet is seemsit is all that they can do to keep it that way. Rather than putting theirinsecurities aside and getting on with their lives, they feel that they must puttheir trust in security devices to protect their selves. For a short while, thefamily has a sense of security by posting a plaque stating YOU HAVE BEENWARNED over the silhouette of a prospective intruder. After a short time thefamilys psychological need for more security calls for a number of newsecurity devices in order to sustain the top level of security. It is in thefamilys pursuit of this security that they virtually imprisonthemselves. After the installation of burglar bars, Gordimer describes the viewfrom every window and door in the house where they were living happily everafter they now saw the trees and sky through bars. One of the less obviousissues lining Once Upon A Time is racial discrimination. Gordimer firstsuggestion that this suburb may be slightly racist is by stating that the plaqueon their gate warning possible intruders didnt designate black or white,therefore protesting too much the owner of the home not to be a racist. Byadding this statement, Gordimer lets there be evidence for a possible racismproblem in this suburb. Gordimers statement of riots outside of the city wasalso supporting evidence toward racism in this place. The only black people thatwere allowed in the suburbs were those considered to be trustworthy gardeners orhousemaids, and soon the trustworthy were not the only black people to beloitering around the suburb. Gordimer writes of the community stating it wasa beautiful suburb, spoilt only by the black peoples presence. With thecoming of these undesired guests, the familys sense of security begins toweaken yet again. In order to further suppress their insecure feelings, theydecide to raise the walls surrounding the property to a height of seven feet. Later, after finding footprints that were not their own on the street side ofthe wall, the familys sense of security was further diminished. As a finalattempt at gaining complete security, the family pondered the addition of evenmore protection for their outside wall. The familys pursuit of a mentalsecurity booster was finished when they lined the outside walls with razor wirethat formed an unconquerable barrier. Feeling quite safe with their new wiredefense, the mother finally feels secure enough to let her guard down and readher little boy a fairy tale. The fairy tale, a story about a prince who dashesthrough a terrible thicket of thorns to enter the palace and kiss the SleepingBeauty and bring her back to life. Children, having the imaginations that theydo, sometimes like to pretend to be a hero as in the fairy tale. So, the nextday, the little boy decides to also save the sleeping beauty by crawling throughthe shinny new obstacle atop the outside wall. Once inside the young princ ebegan to charge through the insurmountable odds, and found them to be

A Biographical Sketch of William Morris Davis

A Biographical Sketch of William Morris Davis William Morris Davis is often called the Father of American Geography for his work in not only helping to establish geography as an academic discipline but also for his advancement of physical geography and the development of geomorphology. Life and Career Davis was born in Philadelphia in 1850. At the age of 19, he earned his bachelors degree from Harvard University and one year later earned his Masters degree in engineering. Davis then spent three years working at Argentinas meteorological observatory and subsequently returned to Harvard to study geology and physical geography. In 1878, Davis was appointed an instructor in physical geography at Harvard and by 1885 became a full professor. Davis continued to teach at Harvard until his retirement in 1912. Following his retirement, he occupied several visiting scholar positions at universities across the United States. Davis died in Pasadena, California in 1934. Geography William Morris Davis was very excited about the discipline of geography; he worked hard to increase its recognition. In the 1890s, Davis was an influential member of a committee that helped to establish geography standards in the public schools. Davis and the committee felt that geography needed to be treated as a general science in primary and secondary schools and these ideas were adopted. Unfortunately, after a decade of the new geography, it slipped back to being rote knowledge of place names and eventually disappeared into the bowels of social studies. Davis also helped to build geography up at the university level. In addition to training some of Americas foremost geographers of the twentieth century (such as Mark Jefferson, Isaiah Bowman, and Ellsworth Huntington), Davis helped to found the Association of American Geographers (AAG). Recognizing the need for an academic organization composed of academics trained in geography, Davis met with other geographers and formed the AAG in 1904. Davis served as the AAGs first president in 1904 and was reelected in 1905, and ultimately served a third term in 1909. Though Davis was very influential in the development of geography as a whole, he is probably best known for his work in geomorphology. Geomorphology Geomorphology is the study of the earths landforms. William Morris Davis founded this subfield of geography. Though at his time the traditional idea of the development of landforms was through the great biblical flood, Davis and others began to believe that other factors were responsible for shaping the earth. Davis developed a theory of landform creation and erosion, which he called the geographical cycle. This theory is more commonly known as the cycle of erosion, or more properly, the geomorphic cycle. His theory explained that mountains and landforms are created, mature, and then become old. He explained that the cycle begins with the uplift of mountains. Rivers and streams begin to create V-shaped valleys among the mountains (the stage called youth). During this first stage, the relief is steepest and most irregular. Over time, the streams are able to carve wider valleys (maturity) and then begin to meander, leaving only gently rolling hills (old age). Finally, all that is left is a flat, level plain at the lowest elevation possible (called the base level.) This plain was called by Davis a peneplain, which means almost a plain for a plain is actually a completely flat surface). Then, rejuvenation occurs and there is another uplift of mountains and the cycle continues. Though Davis theory is not entirely accurate, it was quite revolutionary and outstanding at its time and helped to modernize physical geography and create the field of geomorphology. The real world is not quite as orderly as Davis cycles and,  certainly, erosion occurs during the uplift process. However, Davis message was communicated quite well to other scientists through the excellent sketches and illustrations that were included in Davis publications. In all, Davis published over 500 works though he never earned his Ph.D. Davis was certainly one of the greatest academic geographers of the century. He is not only responsible for that which he accomplished during his lifetime, but also for the outstanding work done across geography by his disciples.

Free Essays on Fats Wallers

Ain’t Misbehavin’ No one to talk to; all by myself; no one to walk with, But I'm happy on the shelf. Ain't misbehaving I'm saving my love for you. I know for certain the one I love. I'm through with flirting It's just you that I'm thinking of. Ain't misbehaving I'm saving my love for you. Like Jack Horner in the corner-don't go nowhere What do I care? Your kisses are worth waiting for, believe me. I don't stay out late, don't care to go I'm home about eight. Just me and my radio. Ain't misbehaving, I'm saving my love for you. This is a first person narrator and can be a man or woman singing the song because it is simply talking about not â€Å"misbehavin’† on their significant other. The narrator is speaking seriously about missing their significant other; thinking about them, writing a letter or talking to their loved one directly. The speaker is sad and is waiting for their loved one to return. The speaker wants the object of their love to know that they will stay faithful and that there is no need to worry about them going behind their back with someone else. The speaker makes reference to Jack Horner and I have no idea who that man is so this song must be written quite a long time ago. The last line also makes a reference to a radio, which means this song was definitely written before television because the reference would have been television instead of radio. The lyrics hint at a possible incident or incidents of unfaithfulness because the speaker would not be singing this sad song about being faithful if there was not an incident. The speaker is also trying to convince their loved on that they are their one and only love and even though there has been â€Å"flirting† there will not be anymore. â€Å"I know for certain the one I love. I'm through with flirting. It's just you that I'm thinking of.† Whether or not their loved one will believe them is another song, but it does seem like t... Free Essays on Fats Waller's Free Essays on Fats Waller's Ain’t Misbehavin’ No one to talk to; all by myself; no one to walk with, But I'm happy on the shelf. Ain't misbehaving I'm saving my love for you. I know for certain the one I love. I'm through with flirting It's just you that I'm thinking of. Ain't misbehaving I'm saving my love for you. Like Jack Horner in the corner-don't go nowhere What do I care? Your kisses are worth waiting for, believe me. I don't stay out late, don't care to go I'm home about eight. Just me and my radio. Ain't misbehaving, I'm saving my love for you. This is a first person narrator and can be a man or woman singing the song because it is simply talking about not â€Å"misbehavin’† on their significant other. The narrator is speaking seriously about missing their significant other; thinking about them, writing a letter or talking to their loved one directly. The speaker is sad and is waiting for their loved one to return. The speaker wants the object of their love to know that they will stay faithful and that there is no need to worry about them going behind their back with someone else. The speaker makes reference to Jack Horner and I have no idea who that man is so this song must be written quite a long time ago. The last line also makes a reference to a radio, which means this song was definitely written before television because the reference would have been television instead of radio. The lyrics hint at a possible incident or incidents of unfaithfulness because the speaker would not be singing this sad song about being faithful if there was not an incident. The speaker is also trying to convince their loved on that they are their one and only love and even though there has been â€Å"flirting† there will not be anymore. â€Å"I know for certain the one I love. I'm through with flirting. It's just you that I'm thinking of.† Whether or not their loved one will believe them is another song, but it does seem like t...

Online multimedia cannot compete against the traditional CD multimedia Essay

Online multimedia cannot compete against the traditional CD multimedia systems.IN REPORT FORMAT - Essay Example Here I will show how the traditional CD technology was better as compared to new online multimedia technology. The term media is employed in difference to media which simply make use of conventional types of hand-produced or printed material. Multimedia comprises a mixture of animation, video, audio, interactivity, still images and text content types (Kenneth, 1998). Multimedia is an elderly notion that has been specified fresh meaning by the computer industry in the course of their hard work to make multimedia compatible computing platforms. If we define Multimedia in the scholarly sense then it will be called as the â€Å"interactive dramatization of information†. Multimedia technology employs the computer to unite animation, text, audio, and graphics and complete motion video in the user control. However mixture of these functions have been obtainable for several years, it has been hard to merge them so that the non-technical consumer is able to control them and thus produce documents or functions that add in all these features. Usually, putting collectively such arrangement necessitates the abilities of a computer programmer or an information technology professional. In the pervious few years there has been infrequent employ made of multimedia resources together in academia and in business, however this has been mainly driven by exper t persons working ad hoc and in separation. Multimedia is generally played and recorded, accessed or displayed by information processing multimedia devices, like that a computerized or an electronic device, however it can be a fraction of a live multimedia performance (Parker et al, 1996). This section presents the evolution of the multimedia technology from its origin to present online multimedia technology. In the year 1965 the expression Multimedia was employed to explain the â€Å"Exploding Plastic Inevitable†, a performance that combined live cinema, experimental

Critical Review of a Performance (Luisa Miller by Verdi) with as Essay

Critical Review of a Performance (Luisa Miller by Verdi) with as correlated main theme ''LOVE AND FEAR INTERACTION'' - Essay Example This insurgency brought with it another market economy, in view of new innovation machine devices and machine control rather than human instruments and creature power. Towns blasted into urban focuses and individuals moved to them from homesteads and the farmland to take employments in recently opened plants. With next to zero regulations set up, these occupations could be severe. Men, ladies, and kids worked 14 hour shifts; where they had once read a clock by the sun, now they could go weeks without seeing the light of day. Quick development handled urban areas that were filthy and packed, the working poor regularly existed in filthiness, and smokestacks obscured the air with ash (Baldini, 1980). While industrialization made shopper products less expensive and expanded the preparation of nourishment, there were the individuals who thought over on the past longingly, seeing it as a sentimental period before individuals were commoditised and nature scourged and demolished. In the meantime, there was a developing response against the theory of the Enlightenment, which underscored science, exact confirmation, and sound thought most importantly. Sentimental people tested the thought that reason was the one way to truth, passing judgment on it lacking in understanding the extraordinary secrets of life. These riddles could be uncovered with feeling, creative energy, and instinct. Nature was particularly celebrated as a classroom for divulgence toward oneself and profound taking in, the spot in which secrets could be uncovered to the psyche of man. Sentimental people underscored a life loaded with profound feeling, otherworldly existence, and free outflow, seeing such ethics as a defence against the dehumanizing impacts of industrialization. They additionally lauded the quality of individuals, which they accepted to have endless, divine

Effect of Fixtures on Deformation and Warpage

Effect of Fixtures on Deformation and Warpage

The Real Romeo and Juliet

The ‘Real’ Romeo and Juliet Romeo and Juliet is well known throughout the world. However, there are some half truths throughout the story. These include the accurate author who happens to date back before Shakespeare’s birth. Also, some parts of his adaption are mistaken. Romeo and Juliet, the world famous play, isn’t merely a tale; it’s a real life story. Romeo and Juliet were not quite the people that Shakespeare portrayed in the play. Juliet is depicted as a 13 year old girl, while in truth she was 16 years old. Shakespeare made her younger to present her as â€Å"a young girl who is suddenly awakened to love. † (Romeo and Juliet Study Guide) Although some aspects of the true story were changed, others were kept spot on. Romeo and Juliet lived in Verona, Italy. At such an early age, they fell madly in love. However, the family of each lover happened to be sworn rivals. With parents and potions tearing at the love struck teens heart-strings, Romeo and Juliet proved true the moral of the story. Each moment truly made for a very dramatic and irrational ending. Love truly does withstand the tests of time. Shakespeare is very famous for his works of Hamlet, The Tragedy of Macbeth, and of course Romeo and Juliet. However, he did not write all these popular plays himself. The first note of Romeo and Juliet was back in the 1500’s. The main source of Shakespeare’s information was Arthur Brooke’s, The Tragicall Historye of Romeo and Juliet, a multi-thousand word poem. (Brad Lyons) The legend continues with a version written by Pierre Boiastuau. This account was from 1559 (Romeo and Juliet Study Guide) and Pierre used an Italian version by Bandello. The chain finally ceased with Luigi da Porto, who wrote Giulietta e Romeo, in 1530. (Brad Lyons)(Shakespeare for Students) William Shakespeare, the acclaimed author of Romeo and Juliet, was one of the greatest writers of his generation. However, he certainly had some help and inspirational guidance when developing his plays. Make no mistake, he was and always will be remembered for the superb tale of Romeo and Juliet. â€Å"Brad Lyons Romeo and Juliet in Verona†. 3/19/10 . â€Å"Romeo and Juliet Study Guide†. 3/19/10 . 2nd Edition Shakespeare for Students. Farmington Hills, MI: Thomson Gale, 2007.

Island of the Sequined Love Nun Chapter 49~50

49 The Bedside Manner of Cannibals Tuck slept through most of the day, then woke up with a pot of coffee over a spy novel. He looked at the words and his eyes moved down the pages for half an hour, but when he put it down he had no idea what he had read. His mind was torn by the thought of Beth Curtis showing up at his door. Whenever a guard crunched across the gravel compound, Tuck would go to the window to see if it was her. She wouldn't come here during the day, would she? He had promised Kimi that he would check on Sepie and meet him at the drinking circle, but now he was already a day late on the promise. What would happen if Beth Curtis came to his bungalow while he was out? She couldn't tell the doc, could she? What would her excuse be for coming here? Still, Tuck was beginning to think that the doc wasn't really the one running the show. He was merely skilled labor, and so, probably, was Tucker himself. Tuck looked at the pages of the spy novel, watched a little Malaysian television (today they were throwing spears at coconuts on top of a pole while the Asian stock market's tickers scrolled at the bottom of the screen in thin-colored bands), and waited for nightfall. When he could no longer see the guard's face across the compound, he made a great show of yawning and stretching in front of the window, then turned out the lights, built the dummy in his bed, and slipped out through the bottom of the shower. He took his usual path behind the clinic, then inched his way up on the far side and peeked around the front. Not ten feet away a guard stood by the door. He ducked quickly around the corner. There was no way into the clinic tonight. He could wait or even try to intimidate the guard, now that he knew they were afraid to shoot him. Of course, he wasn't sure they knew they were afraid to shoot him. What if Mato was the only one? He slid back down the side of the building and through the coconut grove to the beach. The swim had become like walking to the mailbox, and he was past the minefield in less than five minutes. As he rounded the curve of the beach, he saw a light and figures moving around it. The Shark men had brought a kerosene lamp to the drinking circle. How civilized. Some of the men acknowledged his presence as he moved into the circle, but the old chief only stared into the sand between his feet. There was a stack of magazines at his side. â€Å"What's going on, guys?† A panic made its way around the circle to land on Abo, who looked up and said, â€Å"Your friend is shot by the guards.† Tuck waited, but Abo looked away. Tuck jumped in front of Malink. â€Å"Chief, is he telling the truth? Did they shoot Kimi? Is he dead?† â€Å"Not dead,† Malink said, shaking his head. â€Å"Hurt very bad.† â€Å"Take me to him.† â€Å"He is at Sarapul's house.† â€Å"Right. I'll look it up in the guidebook later. Now take me to him.† Old Malink shook his head. â€Å"He going to die.† â€Å"Where is he shot?† â€Å"In the water by the minefield.† â€Å"No, numbnuts. Where on his body?† Malink held his hand to his side. â€Å"I say, ‘Take him to the Sorcerer,' but Sarapul say, ‘The Sorcerer shoot him.'† Malink then looked Tuck in the eye for the first time. His big brown face was a study in trouble. â€Å"Vincent send you. What do I do?† Tuck could sense a profound embarrassment in the old man. He had just admitted in front of the men in his tribe that he didn't have a clue. The loss of face was gnawing at him like a hungry sand crab. Tuck said, â€Å"Vincent is pleased with your decision, Malink. Now I must see Kimi.† One of the young Vincents stood up. Feeling very brave, he said, â€Å"I will take you.† Tuck grabbed his shoulder. â€Å"You're a good man. Lead on.† The young Vincent seemed to forget to breathe for a moment, as if Tuck had touched him on the shoulders with a sword and welcomed him to a seat at the Round Table, then he came to his senses and took off into the jungle. Tuck followed close behind, nearly clotheslining himself a couple of times on branches that the young Vincent ran right under. The coral gravel on the path tore at Tuck's feet as he ran. When they emerged from the jungle, Tuck could see a light coming out of Sarapul's hut, which Tuck recognized from his day in the cannibal tree. He turned to young Vincent, who was terrified. He had charged the dragon, but had made the mistake of stopping to think about it. â€Å"Kimi's with the cannibal?† Young Vincent nodded rapidly while bouncing from foot to foot, looking like he would wet himself any second. â€Å"Go on,† Tuck said. â€Å"Go tell Malink to come here. And have a drink. You're wigging out.† Vincent nodded and ran off. Tuck approached the door slowly, creeping up until he could see the old man crouched over Kimi, trying to pour something into his mouth from a coconut cup. â€Å"Hey,† Tuck said, â€Å"how's he doing?† Sarapul looked around and gestured for Tuck to enter the house. Tuck had to bend to get through the low door, but once inside the ceiling opened to a fifteen-foot peak. Tuck knelt by Kimi. The navigator's eyes were closed, and even in the orange light of Sarapul's oil lamp, he looked pale. He was uncovered and a bandage was wrapped around his middle. â€Å"Did you do this?† Tuck asked Sarapul. The old cannibal nodded. â€Å"They shoot him in water. I pull him in.† â€Å"How many times?† Sarapu held up a long bent finger. â€Å"Both sides? Did it go through?† Tuck gestured with his fingers on either side of his hip. â€Å"Yes,† Sarapul said. â€Å"Let me see.† The old cannibal nodded and unwrapped Kimi's bandage. Tuck rolled the navigator gently on his side. Kimi groaned, but didn't wake. The bullet had hit him about two inches above the hip and about an inch in. It had passed right though, going in the size of a pencil and exiting the size of a quarter. Tuck was amazed that he hadn't bled to death. The old cannibal had done a good job. â€Å"Don't take him to the Sorcerer,† Sarapul said. â€Å"The Sorcerer will kill him. He is the only navigator.† The old cannibal was pleading while trying to remain fierce. A sob betrayed him. â€Å"He is my friend.† Tuck studied the wound to give the old cannibal a chance to gather himself. He couldn't remember any vital organs being in that area. But the wounds would have to be stiched shut. Tuck wasn't sure he had the stomach for it, but Sarapul was right. He couldn't take Kimi to Curtis. â€Å"Do you guys have anything you use to kill pain?† The cannibal looked at him quizzically. Tuck pinched him and he yelped. â€Å"Pain. Do you have anything to stop pain?† â€Å"Yes. Don't do that anymore.† â€Å"No, for Kimi.† Sarapul nodded and went out into the dark. He returned a few seconds later with a glass jug half-full of milky liquid. He handed it to Tuck. â€Å"Kava,† he said. â€Å"It make you no ouch.† Tuck uncapped the bottle and a smell like cooking cabbage assaulted his nostrils. He held his breath and took a big slug of the stuff, suppressed a gag, and swallowed. His mouth was immediately numb. â€Å"Wow, this ought to do it. I need a needle and some thread and some hot water. And some alcohol or peroxide if you have it.† Sarapul nodded. â€Å"I put Neosporin on him.† â€Å"You know about that? Why am I doing this?† Sarapul shrugged and left the house. Evidently, he didn't keep anything inside but his skinny old ass. Kimi moaned and Tuck rolled him over. The navigator's eyes fluttered open. â€Å"Boss, that dog fucker shot me.† â€Å"Curtis? The older white guy?† â€Å"No. Japanese dog fucker.† Kimi drew his finger across his scalp in a line and Tuck knew exactly who he meant. â€Å"What were you doing, Kimi? I told you that I'd check on Sepie and meet you.† Tuck felt a pleasant numbness moving into his limbs. This kava stuff would definitely do the trick. â€Å"You didn't come. I worry for her.† â€Å"I had to fly.† â€Å"Sarapul say those people very bad. You should come live here, boss.† â€Å"Be quiet. Drink this.† He held the jug to Kimi's lips and tipped it up. The navigator took a sip and Tuck let him rest before administering another dose. â€Å"That stuff nasty,† Kimi said. â€Å"I'm going to stitch you up.† The navigator's eyes went wide. He took the jug from Tuck and gulped from it until Tuck ripped it out of his hands. â€Å"It won't be that bad.† â€Å"Not for you.† Tuck grinned. â€Å"Haven't you heard? I've been sent here by Vincent.† â€Å"That what Sarapul say. He say he don't believe in Vincent until we come, but now he do.† â€Å"Really?† Sarapul came through the door with an armload of supplies. â€Å"I don't say that. This dog fucker lies.† Tuck shook his head. â€Å"You guys were made for each other.† Sarapul set down a sewing kit and a bottle of peroxide, then crouched over the navigator and looked up at Tuck. â€Å"Can you fix him?† Tuck grinned and grabbed the old cannibal by the cheek. â€Å"Yum,† Tuck said. â€Å"Sorry,† Sarapul said. â€Å"I'll fix him,† Tuck said. Silently he asked for help from Vincent. â€Å"I can't feel my arms,† Kimi said. â€Å"My legs, where are my legs? I'm dying.† Sarapul looked at Tuck. â€Å"Good,† he said. â€Å"More kava.† Tuck picked up the jug, now only a quarter full. â€Å"This is great stuff.† â€Å"I'm dying,† Kimi said. Tuck rolled the navigator over on his side. â€Å"Kimi, did I tell you I saw Roberto?† â€Å"See, I didn't eat him,† Sarapul said. â€Å"Where?† Kimi asked. â€Å"He came to my house. He talked to me.† â€Å"You lie. He only speak Filipino.† â€Å"He learned English. Can you feel that?† â€Å"Feel what? I am dying?† â€Å"Good,† Tuck said and he laid his first stitch. â€Å"What Roberto say? He mad at me?† â€Å"No, he said you're dying.† â€Å"I'm dying, I'm dying,† Kimi wailed. â€Å"Just kidding. He didn't say that. He said you're probably dying.† Tuck kept Kimi talking, and before long the navigator was so convinced of his approaching death he didn't notice that Tucker Case, self-taught incompetent, had completely stitched and dressed his wounds. 50 Don Quixote at the Miniature Golf Course He was sleeping, dreaming of flying, but not in a plane. He was soaring over the warm Pacific above a pod of hump-back whales. He swooped in close to the waves and one of the whales breached, winked at him with a football-sized eye, and said, â€Å"You da man.† Then the whale smiled and blew the dream all to hell, for while Tuck knew himself to indeed â€Å"be da man† and while he didn't mind being told so, he also knew that whales couldn't smile and that bit of illogic above all the others broke the dream's back. He woke up. There was music playing in his bungalow. â€Å"Dance with me, Tucker,† she said. â€Å"Dance with me in the moonlight.† The smooth muted horns of â€Å"Moonlight Serenade† filled the room from a portable boom box on his coffee table. Beth Curtis, wearing a sequined evening gown and high-heeled sandals, danced an imaginary partner around the room. â€Å"Oh, dance with me, Tucker. Please.† She glided over to the bed and held her hand out to him. He gave her the coconut man's head, rolled over, and ducked under the sheet. â€Å"Go away. I'm tired and you're insane.† She sat on the bed with a bounce. â€Å"You old stick in the mud.† A pouty voice now. â€Å"You never want to have any romance.† Tuck feigned sleep. Pretty well, he thought. â€Å"I brought champagne and candles. And I made cookies.† This is me sleeping, Tuck thought. This is exactly how I behave when I sleep. â€Å"I twisted up a joint of skunky green bud the size of your dick.† â€Å"I hope you got help carrying it,† he said, still under the covers. â€Å"I rolled it on the inside of my thigh the way the women in Cuba roll cigars.† â€Å"Don't tell me how you licked the paper.† She slapped him on the bottom. â€Å"Come on, dance with me.† He rolled over and pulled the sheet off his face. â€Å"You're not going to go away, are you?† â€Å"Not until you dance with me and have some champagne.† Tuck looked at his watch. â€Å"It's five in the morning.† â€Å"Haven't you ever danced till dawn?† â€Å"Not vertically.† â€Å"Oh, you nasty boy.† Coy now, as if anything short of being caught at genocide could make her blush. The song changed to something slow and oily that Tuck didn't recognize. â€Å"This is such a good song. Let's dance.† She swooned. She actually swooned. Swooning, Tuck noticed, looked very much like an asthma attack wheezed in slow motion. A rooster crowed, and seven thousand six hundred and fifty-two roosters responded in turn. â€Å"Beth, it's morning. Please go home.† â€Å"Then you're not going to dance with me?† â€Å"No.† â€Å"All right, I guess we'll skip the dancing, but I want you to know that I'm very disappointed.† She stood up, pulled the evening gown over her head, and dropped it to the floor. The sequins sizzled against the floor like a dying rattlesnake. She wore only stockings underneath. Tuck said, â€Å"I don't think this is such a good idea,† but there was no conviction in his voice and she pushed him back on the bed. Tuck was staring up at the ceiling, his arm pinned under her neck, silently mouthing his mantra, â€Å"After this, I will not bone the crazy woman. After this, I will not bone the crazy woman. After†¦Ã¢â‚¬  Boy, how many times had he said that? Maybe things were getting better, though. In the past it had always been â€Å"I will not get drunk and bone the crazy woman.† He had been only sleepy this time. He tried to worm his arm out from under her, then used the â€Å"old snuggle method.† He rolled into her for a hug and when she responded with a sleepy moan and tried to kiss him, the space under her neck opened up and he was free. It worked as well on murdering bitch goddesses as it did on Mary Jean ladies. Better even, Beth didn't wear near as much hair spray, which can slow a guy down. God, I'm good. He rolled out of bed and crept into the bathroom. While he peed, he softly chanted, â€Å"Yo, after this, I will not bone the crazy woman.† It had taken on a rap cadence and he was feeling very hip along with the usual self-loathing. His scars made him think of Kimi's wound, and suddenly he was angry. He padded naked back to the bed and jostled the sleeping icon. â€Å"Get up, Beth. Go home.† And someone pounded on the door. â€Å"Mr. Case, tee time in five.† Tuck clamped his hand over Beth's mouth, lifted her by her head in a single sweeping move from the bed to the bathroom, where he released her and shut the door. Fred Astaire, had he been a terrorist, would have been proud of the move. Tuck grabbed his pants off the floor, which is where he kept them, pulled them on, and answered the door. Sebastian Curtis had a driver slung over his shoulder. â€Å"You might want to put on a shirt, Mr. Case. You can get burned, even this early.† â€Å"Right,† Tuck said. He was looking at the caddie. Today Stripe carried the clubs. The guard sneered at him. Tuck smiled back. Stripe, like Mato before him, was doing caddie duty unarmed. Time to play a little round for the navigator, he thought. He winked at Stripe. â€Å"I'll be right there.† Tuck closed the door and went to the bathroom to tell Beth to wait until he'd gone before coming out, but when he opened the door, she was gone. â€Å"Did you know that over ninety percent of all the endangered species are on islands?† the doctor said. â€Å"Nope,† Tuck said. He picked his ball up and put it on the rubberized mat, then turned to Stripe. â€Å"Dopey, give me a five iron.† They were on the fourth hole and had crisscrossed the compound pretending to play golf for an hour. Tuck swung and skidded the ball fifty yards across the gravel. â€Å"Heads up, Bashful,† Tuck said as he threw the club back to Stripe. â€Å"Islands are like evolutionary pressure cookers. New species pop up faster and go extinct more quickly. It works the same way with religions.† â€Å"No kidding, Doc?† They still had fifty yards to get to where Sebastian's first shot lay. Tuck had hit three times. â€Å"The cargo cults have all the same events associated with the great reli-gions: a period of oppression, the rise of a Messiah, a new order, the promise of an endless time of peace and prosperity. But instead of devel-oping over centuries like Christianity or Buddhism, it happens in just a few years. It's fascinating, like being able to see the hands of the clock move right before your eyes and be a part of it.† â€Å"So you must totally get off when daylight savings time comes around.† â€Å"It was just a metaphor, Mr. Case.† â€Å"Call me Tuck.† They had reached Tuck's ball and he placed it on the Astro Turf mat. â€Å"Sneezy, give me the driver.† Sebastian cleared his throat. â€Å"That looks more like a nine iron to me. You've only got fifty yards to the pin.† â€Å"Trust me, Doc. I need a driver for this one.† Stripe snickered and handed him the driver. Tuck examined it, one of the large-headed alloy models that had become so popular in the States – all metal. Tuck grinned at Stripe. â€Å"So, Doc, I guess you shitcanned the Meth-odist thing to watch the clock spin.† Tuck lined up the shot and took a practice swing. The club whooshed through the air. â€Å"Have you ever had faith in anything, Mr. Case?† Tuck took another practice swing. â€Å"Me? Faith? Nope.† â€Å"Not even your own abilities?† â€Å"Nope.† Tuck made a show of lining up the shot again and making sure his hips were loose. â€Å"Then you shouldn't make jokes about it.† â€Å"Right,† Tuck said. He tensed and put his entire weight behind the club, but instead of hitting the ball, he swung it around like a baseball bat, slamming the head into Stripe's cheek, shattering the bone with a sickening thwack. The guard's feet went out from under him and he landed with a crunch in the coral. â€Å"Christ!† Sebastian yelled. He grabbed the club and wrenched it from Tuck's grasp. â€Å"What in the hell are you doing?† Tuck didn't answer. He bent over the guard until he was only inches from his face and whispered, â€Å"Fore, motherfucker.† A second later Tuck heard a mechanical click and the guard who had been tending the pin had an Uzi pressed to his ear. Sebastian Curtis was bent over Stripe, pulling his eyes open to see if his pupils would contract. â€Å"Take Mr. Case to his bungalow and stay with him. Send two men with a stretcher and find Beth. Tell her to – † Curtis suddenly realized that the guard was only getting about a third of what he said. â€Å"Bring my wife.† â€Å"I'll get back to you on that faith thing, Doc,† Tuck said.

Sylvia Plath And Anne Sexton - 1782 Words

Confessional poets in the 1950’s and 1960’s shaped confessional poetry into a type of writing that forever changed American literature. With controversial subjects at the time such as death, trauma, depression and how relationships impacted people, confessional poetry carved a gateway for private subjects and feelings to be expressed through autobiographical writing. The inspiration behind confessional poetry was the therapy it brought to the writer, being able to take personal experiences and thoughts and construct them into beautiful poems helped these writers cope with their personal experiences and feelings in a new, and constructive way. Sylvia Plath and Anne Sexton were a major part of the confessional writing movement in the 20th†¦show more content†¦She continued her education at Smith College and Newnham College in Cambridge. This is where she met her husband, Ted Hughes. They married just a few short months after and had 2 children. The marriage to Hu ghes was very depressing for Plath, who had the knowledge of his many affairs. (â€Å"Sylvia Plath†, Poetry Foundation) The symptoms of her severe depression, the poor marriage she had and the events of her childhood, made a significant impact on her multiple suicide attempts which ultimately lead to her placing her head in the oven and killing herself. The idea of death is very apparent in many of Plath’s poems, she constructed her views and opinions of death from her external surroundings and experiences. By taking an external approach to the idea of death, Plath was able to display her poems and stories in a way that was much like a cry for help. For example, in the poem â€Å"Daddy,† Plath writes â€Å"I used to pray to recover you† (Plath,† Daddy†14) This quote demonstrates to the reader that the loss of her father was scary for her, and quite possibly a nightmare that she wished she could wake up from. Another quote in the poem â€Å"Da ddy† that exemplifies her want to die in order to reach her father again is in lines fifty-seven through fifty-nine where she states, â€Å"I was ten when they buried you. At twenty I tried to die and get back, back, back to you.† (Plath, â€Å"Daddy† 57-59). These three lines exemplify that she wished she could be dead to be with her fatherShow MoreRelatedSylvia Plath and Anne Sexton1240 Words   |  5 Pages â€Å" Confessional Poets† Sylvia Plath (1932-1963) and Anne Sexton (1928-1974) both explored similar themes such as tone, structure, and symbolism. Many of their poems were cries for help, which resulted into metal illness, depression, and suicide. In 1958, Anne Sexton and Sylvia Plath met, and much to their surprise had a few things in common. They both were fascinated with death and suicide. Both Sexton’s and Plath’s poetryRead MoreThe Comparison and Contrast of Anne Sexton and Sylvia Plath Essay example1646 Words   |  7 PagesComparison and Contrast of Anne Sexton and Sylvia Plath The two poems, â€Å"And One for My Dame† by Anne Sexton and â€Å"Daddy† by Sylvia Plath, both explore similar themes through the use of literary elements such as structure, tone and symbolism. Structures in each poem are alike with length but differ with the actual form. The tone Plath conveys is negative one while Sexton’s is more neutral. The symbolism in â€Å"Daddy† was also negative with symbols of the devil but Sexton used a nursery rhyme as a symbolRead MoreThe Life of Sylvia Plath1006 Words   |  5 PagesThe Life of Sylvia Plath Sylvia Plaths life, like her manic depression, constantly jumped between Heaven and Hell. Her seemingly perfect exterior hid a turbulent and deeply troubled spirit. A closer look at her childhood and personal experiences removes some element of mystery from her writings. One central character to Sylvia Plaths poems is her father, Professor Otto Emile Plath. Otto Plath was diabetic and refused to stay away from foods restricted by his doctor. As a resultRead More Comparing Feminist Poetry by Plath and Sexton Essay1201 Words   |  5 PagesComparing Feminist Poetry by Plath and Sexton Poetry should be a shock to the senses. It should also hurt Anne Sexton believed (Baym 2703), and evidence of this maxims implications echoes loudly through the writing of Sexton as well as through the work of her friend and contemporary Sylvia Plath. Plath and Sextons lifetimes spanned a period of remarkable change in the social role of women in America, and both are obviously feminist poets caught somewhere between the submissive pastsRead MoreAnalysis Of Mary Hughes s Poem Lady Lazarus Plath 1067 Words   |  5 Pagesappear to remind her inner wounds of life. Frequently they seem to terrorize her with their openings; They (Tulips) are opening like the mouth of some great African cat..15. In her poem Lady Lazarus Plath confirms her strong faith in rebirth and resurrection: Out of the ash I rise with my red hair and I eat men like air16. It further makes obvious her repulsion on men. She believes that Suicide, Death and Resurrection may fetch her eternal happiness. That is why, it seems, she loves death. SheRead MoreAnne Sexton Confessional Poetry Analysis1192 Words   |  5 PagesConfessional poetry is the poetry of the personal or I, and it began to emerge in the late 50s and early 60s (A Brief Guide to Confessional Poetry). It is associated with poets like Robert Lowell, Sylvia Plath, Anne Sexton, W. D. Snodgrass, etc., with Lowell playing teacher for both Plath and Sexton. This poetry movement was all about opening closed doors, allowing the discussion of topics that were once considered forbidden and shameful. Anything once indecent to mention in polite company was usedRead MoreThemes Of Anne Sexton1069 Words   |  5 PagesThemes from Sylvia Plath, Anne Sexton, Gwendolyn Brooks, and Robert Hayden An Evaluation of themes from Mirror, Courage, Explorer, and Douglas During the 1900’s, a series of new poets came into existence. These poets brought about new themes and perspectives that manipulated the minds of humans all across the world. The poets that are in our study are Sylvia Plath, Anne Sexton, Gwendolyn Brooks, and Robert Hayden. These four poets wrote detailed, intricate poems that are packed full of a slew ofRead MoreThe Poetry Of Sylvia Plath1811 Words   |  8 PagesSylvia Plath is often described as a feminist poet who wrote about the difficulties women faced before womens right were a mainstream idea. From reading her poetry, it is quite obvious that Plaths feminism is extremely important to her, but she also wrote about a lot of day to day experiences and made them significant through her use of literary devices such as metaphors and symbols. Plath may also be best known for her autobiographical poetry written in a confessional style that appeared duringRead More##xiety In Courage, Gwendolyn BrooksThe Explorer, And Frederic k Douglass732 Words   |  3 Pagestheme that it focuses on, or does it? In these four poems, there is a strong sense of social anxiety, and then the overcoming of that with courage. In Sylvia Plaths Mirror, Anne Sexton’s Courage, Gwendolyn Brooks’ The Explorer, and Robert Hayden’s Frederick Douglass there is a strongly shared theme. To start off is the theme of social anxiety in Sylvia Plath’s Mirror. This poem is about a mirror that spends most of it’s days reflecting the wall, but occasionally, it is the friend of a man or womanRead More Preparing for Death in Sylvia Plaths Daddy Essay1424 Words   |  6 PagesPreparing for Death in Plath’s Daddy  Ã‚   Throughout the poem Daddy by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plaths father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the