Formalist and Expressionist Concepts of Art Essay

Formalist and Expressionist Concepts of Art - Essay ExampleClive Bell argues this point by stating that to appreciate a work of art we need land with us nothing from life, no knowledge of its ideas and affairs, no familiarity with its emotions (cited in Warburton 10) This contention accurately depicts the art for arts sake attitude taken by many artists and art critics subscribing to more formalist frameworks, which eschew the importance of theatrical and context in art production and art appreciation yet judge the rank of an art on its coherence, composition, and masterful use of forms.The influence of formalism on artists and their work is particularly evident in the paintings of the old masters. Caravaggios fourteenth-century chef-doeuvre Bacchus, for instance, which shows the superannuated diety as a drunken young man in a reclining pose, is interesting in the formalist sense not because of the artists impressive ability for representation but for the manner by which the pai nting itself draws attention to the contours and shapes of the human body, as well as the contribution of the colors used by Caravaggio to lend warmth, depth, and implication to his work. In the painting, Caravaggio uses the traditional techniques of portraiture to present to present a well-composed, balanced picture of Bacchus trying to cover his naked torso with drapery while go a goblet of wine either to the painter or to the paintings viewers. This is achieved through the use of a color pallete dominated by muted crimson and putting green hues that direct the viewers attention to Bacchus face .... The influence of formalism on artists and their work is particularly evident in the paintings of the old masters. Caravaggios fourteenth-century masterpiece Bacchus, for instance, which shows the ancient diety as a drunken young man in a reclining pose, is interesting in the formalist sense not because of the artists impressive ability for representation but for the manner by which the painting itself draws attention to the contours and shapes of the human body, as well as the contribution of the colors used by Caravaggio to lend warmth, depth, and meaning to his work. In the painting, Caravaggio uses the traditional techniques of portraiture to present to present a well-composed, balanced picture of Bacchus trying to cover his naked torso with drapery while offering a goblet of wine either to the painter or to the paintings viewers. This is achieved through the use of a color pallete dominated by muted red and green hues that direct the viewers attention to Bacchus face and then leads it to the hand offering the goblet. Likewise, Caravaggio uses mostly rounded shapes and contours that heighten the sense of organic, flowing quality of Bacchus body, the wine, and the drapery. Caravaggio also creates depth by utilizing color techniques to create a sense of space within the painting using contrasts between light and dark colors. It is through the use of these el ements that Caravaggios picture of Bacchus becomes a thing of value in the formalist sense, since it is through the interaction between the forms in the painting that the artists rendering of the deity evokes aesthetic feelings in the viewer.On the other